Originally Posted by jaeangel
... can you tell me if I have fallen ... ;-)
Yes. As can we all. No story is ever perfect. But the more care one takes with it, the better it will be.
Boccaccio
Originally Posted by jaeangel
... can you tell me if I have fallen ... ;-)
Yes. As can we all. No story is ever perfect. But the more care one takes with it, the better it will be.
Boccaccio
To tell you the truth, the two sentences aren't the same to me.
"She was nude..." emphasizes her state of undress. "She stood there nude..." emphasizes the fact that she was standing, and the "there" suggests a kind of familiarity with her environment.
I don't know. I guess I haven't seen that much of this kind of thing for it to bother me. The passive voice I worry about are in things like "The whip was picked up by him" instead of "He picked up the whip."
Besides, what do you do with Dickens' "It was the worst of times; it was the best of times"?
---dr.M.
"Weave a spell around him thrice,
And close your eyes in holy dread.
For he on honeydew hath fed,
And drunk the milk of paradise."
---S.T. Coleridge, Kublai Khan
Hmmm... becomes a Led Zeppelin song?Originally Posted by dr_mabeuse
"In through the kitchen door came the dancing girls, then everything on the menu mattered..."
“"It was the worst of times; it was the best of times”? Oh, but shouldn’t that really be, “"It was the worst of times; it was the best of times…” ?
Honestly, did you really expect me to pass up an opportunity like that, did you?![]()
And, yes, what the Dickens do you do with it? (Sorry, but I couldn’t let that one slip either.) *gg*
Sure, the example you’ve given here is passive, but as juxtapositions, and not just those two—a whole string of them— it gives the story an incredible impact right from the start, doesn’t it? It’s a clever contrast, as Dickens then launches into a story set in times of competing and contradictory attitudes, as the entire tale becomes one giant juxtaposition of love and hate, sympathy and apathy, and poverty and wealth.
Besides, the hard and fast rule of fictional writing is, surely, there is none.
Oh, and…
…I wouldn’t go as far as saying it ‘bothers’ me. Just sometimes, it seems a pity to see a great idea for a story flattened with too much passive phrasing and/or a repeated and/or an excess of unnecessary words.Originally Posted by the good doctor
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You can suck 'em, and suck 'em, and suck 'em, and they never get any smaller. ~ Willy Wonka
Alex Whispers
Just to stop an interesting thread coming to an end I thought I would chip in. The Dicken's version is more poetic and therefore worthy of breaking grammatical rules. Rules are there to be broken but should only be broken to make a better or more powerful poetic sense. Metaphysical connections can say a lot more than literal meaning.Originally Posted by Alex Bragi
The irony of the poetry in Dicken's work, is that he was a really lousy poet.
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