Welcome to the BDSM Library.
  • Login:
beymenslotgir.com kalebet34.net escort bodrum bodrum escort
Results 1 to 30 of 45

Hybrid View

  1. #1
    Electrified Non-Moderator
    Join Date
    Jul 2006
    Location
    Seattle
    Posts
    1,073
    Post Thanks / Like
    Not sure. Simple imagination isn't always appealing -- I mean, the last 5 year old I talked to had a great imagination, but I was left with "WTF?" I think you need imagination, but the art of fiction is making the fake seem completely believable.

    In writing more generally, however, I think the art is conveying impressions. Not just images, not just feelings, but the true sensation of life. Reading -- art, even -- is about experiencing things new and interesting, and if there isn't enough there (or good enough material) to experience something, it lacks appeal.
    Back!
    With your fiendish books of gods
    With suffering self-righteous pain
    Back!
    With Hell-fire and vicious rods
    With repressed passion gone insane
    Back!
    I won't lose my soul, too.

  2. #2
    Cat Herder
    Join Date
    Jul 2006
    Location
    Florida
    Posts
    103
    Post Thanks / Like
    Quote Originally Posted by ElectricBadger View Post
    ..the art of fiction is making the fake seem completely believable.
    Writing so that it looks like you, or at least your charcters, actually believe the story helps make it authentic. You just use the same logic all the way through. And for me, at least, are the mechanics, punctuation, spelling, and actual layout of the sentences.

    It's a fine line between clever and stupid.
    "This Is Spinal Tap"

  3. #3
    Registered User
    Join Date
    Nov 2006
    Posts
    3
    Post Thanks / Like

    Believable characters

    For me, the first thing I look for in a story is believable characters.

    I'm very emotionally tuned (or so I'm told), and so I have a constant tendency to "look at it through someone else's eyes".
    If I read a book or watch a movie and I can't believe a character would ever react that way, it spoils the whole thing for me.

    Once I've got a general story flow going, I start to think about what kind of people the main characters are (A bit about their past, major personality traits etc), and then run the scenario through my mind from each character's perspective to see if it would make for good drama, comedy, whatever.

    So far I've only kept two or three characters going at once (with a few smaller roles thrown in for color), but I'm working towards being able to hold more in my head at once without mixing them up. I can feel as they do, I get angry, sad, laugh out loud (and people on the bus look at me funny). I brood, I obsess over this fictional situation from the character's mind, and then their thoughts and actions just seem to come naturally.

    For all the science fiction, fantasy, and sex a story may have, it's ultimately a story about people. If your reader can't identify with the character's experiences or his reactions to them, then you've lost your audience.

Thread Information

Users Browsing this Thread

There are currently 1 users browsing this thread. (0 members and 1 guests)

Members who have read this thread: 0

There are no members to list at the moment.

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  

Back to top