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3. Capitulation to obscenity
“I want to have your abortion.”
- Marla Singer
Fight Club, original screenplay
The above quote is the dirty-talk that Marla Singer whispers to Tyler Durden in the screenplay (written by Jim Uhls) of the nihilist/anarchist love story “Fight Club”. Alas for raincoat-wearing degenerates like me, this portion was changed to the line “I haven’t been fucked like that since grade school” in the completed film. I find the original version to be much more effective. It effectively demonstrates Marla’s amorality and lust, and incorporates elements of recepticalization and self-destructive carnality that aren’t present in the “safe for theatres” version.
In capitulation to obscenity, the masochist feels the pain that accompanies a loss of essential human and female qualities. Societal biases and undercurrents have taught all women the lesson that they should aspire to be virginal, imperforated vessels of dignity and gentle sexuality. For some, this is a quality to be clutched tightly, a part of one’s identity- the human equivalent to the airtight seal on the top of a bottle aspirin. One imagines that in spreading the legs of one such female, the sound of a creaking and ominous vault door might be heard.
Because the quality of being “unspoilt” becomes so fundamental, the mental pain that is felt when that quality is stripped away or denounced can be powerful indeed. Furthermore, allowing oneself to be subjected to such a “lowering” at the hands of a master can serve as the ultimate symbol of trust and submission. Whatever the angle, the strength of this archetype lies on the polar opposition between the acts celebrated by the Dom and his slave, and the accepted standard of dignity and behaviour for a woman held by the world at large.
When I speak about obscenity I don’t necessarily use the word in a legal sense. Obscenity for the purposes of this archetype has no set definition- I personally define it as any act that would make the submissive’s parents disown her, her friends turn their backs, and feminists run for the nearest bathroom. I define it as any act that is the opposite of empowerment and emancipation. Three taboos in particular stand out as useful tools, three concepts that speak volumes about the female mind, body, and soul with the very utterance of their names. These taboos are physical abuse, rape, and abortion.
If you sat down a group of ten random people and showed then two videos- one of a long, sloppy blowjob and another of an abortion, rape or act of spousal abuse, I am willing to bet that 9 out of 10 of them would classify the second footage as the greater obscenity. There’s something that speaks to obscenity in the hand crashing into a woman’s face, her powerlessness as a man takes her against her will, or the image of her most life-giving orifice being scraped and vacuumed clean like a simple meat sack. Something terrible to which a simple gonzo blowbang doesn’t hold a candle.
Who is the more damaged of goods, in the eyes of unflinching and judgmental society? A promiscuous and wanton female who has sucked thirty-seven different dicks in her lifetime? Or the kicked-to-the-curb waif who has to stumble to the clinic, dark circles under her eyes, in the weak light of the morning- arriving just in time to slap her legs into stirrups and subject herself to the cold metal of an abortionist’s apparatus?
It is important at this point to remember that verbal edge play of this kind should occur under an unspoken umbrella of intellectual honesty. Any right-thinking person knows that rape is a terrible and brutal act that scars lives, that spousal abuse is a hell from which even the most strong-minded of women can have trouble extracting themselves, and that abortion is a torturous choice for any young woman, a procedure that will affect her for the rest of her life. In acknowledging the truth about those acts, the seriousness of them, and the absolute inappropriateness any “legit” endorsement of them, the taboo is strengthened.
The dominant examples here are slightly longer than some of the other examples, just because I attempt to put each diatribe in the proper context. Dominant examples can serve as simple verbal fantasy, describing sexually fantastic events that will never occur, or as foreplay to a physical role-play of the described events themselves:
Dominant Examples:
“You are nothing but a rape-slut. I am going to take you however I want, whenever I want, whether you like it or not. I know you won’t leave me because you love it, don’t you? Jesus, if your friends at the office knew about this, they’d fucking puke at the sight of you. I should show them a picture of you cumming while you get assaulted.”
“Look at you- you’re soaking wet at the thought of me slapping you around. You used to walk about thinking you were a queen- turns out all you needed was a man to beat the shit out of you and remind you of your place as a fucking sperm receptacle.”
“You make me sick. I should knock you up and throw you out on the fucking street. If you don’t like that, you can fucking leave anytime. I know you won’t- you’d go through a whole rack of coat hangers if it meant you could crawl back to me and choke on my cock.” (this is an example of verbal fantasy in the form of accusation- the submissive (or accused) will typically answer back with an shameful (or, just as erotic, emphatic) admission that the stipulated atrocity is something she would love.
Our submissive examples contain some of these shameful/emphatic admissions (it is possible to be both).
Submissive Examples:
“God, yes- rape me! Force me down and fuck me like a bitch! You don’t have to give a fuck how I feel about it, just take me any time whether I like it or not! I love to be raped!” (shameful admission)
“I need a big, strong man to beat the fuck out of me and put me in my place. Fuck women’s rights- knock my teeth down my fucking throat!”
“I want to have your abortion.” (Marla’s cut line is a textbook example of shameful admission in a submissive capitulation to obscenity, and in fact was the basis for this entire article).
Take note that in the case of the second and third examples above, the described events will almost certainly never take place. The allure lies in idea that, if they did, the submissive would welcome them. Again, the umbrella of intellectual honesty is important to maintain. She loves you so much, this slave, that she would destroy herself for you. Destroy herself in the eyes of her community, ensure her own ostracization, shovel the last gravelly helpings of dirt over the grave of her own self-esteem and self worth. Verbal abuse like this is just as ritualistic as a faithful man who kneels at the altar of his God and says that he would die for God’s will. Of course, God will not kill this man- but…is it any less meaningful?
All of the verbal abuse and degradation in this archetype can be summed up with the following construction:
Dom: “You would destroy yourself for me, wouldn’t you? Do you not feel ashamed? Do you not worry about how people would point and be disgusted at your sacrifice? Don’t you care?”
Sub: “No. I would lower myself to nothing for you, destroy myself for you, and I don’t give a fuck.”
The fun is in taking that construction for a walk around the block in all sorts of different and creative ways. I have given examples for three issues that are antipathy to a female, but there are others, and what constitutes an obscenity is different for each person. So really, the archetype isn’t about specific topics at all but about the sacrifice of female identity, virginity, and grace for the purpose of proving loyalty. Sexually, the deepest taboos can often be the most exciting, and the potential for a rewarding session is great. Intellectually, this archetype is proof of a sacred bond. Her devotion is such that she would die inside for you- but her trust is such that she knows you would never ask it of her. Rather, you are content to play out the ritual of that inner death continuously- renewing the bond between you with each iteration.
- FS